how to record bass drum

This can be done by draping a thick blanket or duvet over the top of the bass drum, with a couple of small mic stands or other objects of a similar height to the bass drum providing support several feet away. Alternatively, leave the bass drum out of the drum-kit mix-buss to avoid unwanted pumping artefacts. Pack the blanket closer to the rear head for more muffling. Move it away about a foot farther. A common problem with bass drums is excessive boom and ringing. Fab looks at how to record a bass drum with two microphones and explores the benefits (and problems) of doing that. Ideally, the bass should be recorded both directly and through an amp at the same time to give you the best sound and tone possible. Listen on the monitors. Are there a lot of overtones? Does the drum sound tight and punchy? Is there a decay after the drum is hit or does it stop abruptly? The most common sizes are 20–22 inches in diameter with a depth of between 14 and 16 inches. Using a microphone with a cardioid pick-up pattern is the best way to proceed. Point the mic towards the center of the bass drum, about eight to 12 inches away from the inside head, at about the same height as where the beater hits the drum. In this case, use the first mic on the resonant head with a second mic positioned at the batter head, aiming towards the beater. The best way to set up your mic on your drum kit will vary based on how many mics you’re using, and the makeup of your drum kit. A Step-by-Step Guide to Recording the Bass Drum Bass drum mic positioning. pureMix Black Friday Get 50% OFF. For a beefier bass drum sound, try placing a mic 6–12" in front of the head. 9 Things Every Musician Loves to Hear from Fans, Family, and Friends, 8 Great Ideas for Naming Your Album When You're Stumped. Try pointing a 4007 Omnidirectional Microphone into the drum, slightly to the side, and see if your monitors can handle this awesome sound. This is the standard way to mic a kick drum if you have the outside head off or if a hole is cut in it. Does the drum sound tight and punchy? 2: Consider constructing a drum tunnel. You don’t have to limit yourself to mic’ing the drum from the front, though. Listen on the monitors. Because it can come in different sizes and be used with the front head on or off, its sound will vary a lot more than the other drums. We take a look inside the Spanish techno artists humble abode. Although much of this can be carefully tuned out, it’s often necessary to use some dampening material, such as a blanket or pillow, inside the drum. Setting up noise gates can be tricky, so it’s usually best to record the track without a gate, in case a weak bass drum strike fails to open the gate and is not recorded. Large diaphragm condenser mics are also good for capturing a good low-end response with plenty of weight, and many engineers like to use one in conjunction with a dynamic mic; the Neumann U47 FET is highly regarded as a bass drum mic. A boost somewhere in the region of 3–5kHz will help bring out the beater click if more bass drum presence is required. Halfway inside the drum for a little less attack on the beater. Is there a decay after the drum is hit or does it stop abruptly? We pass on the hard-won wisdom of fifty top producers in the essential Sound On Sound guide to recording kick and snare drums, the backbone of modern music.. Once you have got the drum sounding good at source, you can think about microphone types and mic’ing techniques. Large diaphragm condensers are often employed in this role; however, any mic with Fab explores the best positions used to record a bass drum and compares the different sounds of the most popular microphones for that purpose. Forget musical typing and hit the right notes – without spending all your banknotes. Learn how to make the most out of Chord and capture different structures to spark new ideas. Place it where you have the best combination of low end and definition. The second mic can be placed outside the drum to capture a rounder, full-bodied tone. This distance also works well when the front head is removed. Just get a speaker and wire pins two and three of an XLR connector to the speaker’s terminals. Similarly, if a pad is used on the batter head where the beater strikes, a harder material will produce a sound with more click. For a kick drum without a front head, place the mic on a short boom stand in front of the bass drum and position the head element of the mic just inside the drum by a couple of inches. Aim the mic away from the beater and more at the shell of the drum. Can you hear the beater? a good low-end response can be used. This can be done by draping a thick blanket or duvet over the top of the bass... 3: … Place the subkick mic about two inches from the lip of the kick drum shell. Leave gating until mixing. Does it have enough low end? 2: Double mic’ing will enable a useful blend of beater click and low-end weight. Warm up before recording. Bass drums come in various sizes, both in terms of diameter and depth, and this has an enormous impact on the type of sound they will produce.

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