overhead mic shootout

It’s not as warm or present as some of these other choices, but oh so balanced and clean! Omni mics don’t suffer the proximity effect at all, that is why you got much better low end when distance mic’ing in omni mode with the m179 mics. It is a solid contender at a very attractive price. The sERN was much more crisp/airy sounding than the others and while I found it a little exaggerated, it was a sweet sounding crisp/air, not strident in any way! ), though, as it will help me pick mics for specific applications in the future. The CAD M179 pair surprised me. I picked the Mojave out immediately and it was definitely my first choice, even if it was a bit more brash. The bulge in the body houses a large Neve output transformer. I’ve come to appreciate its unhyped high frequencies and relatively small/directional pickup pattern. Whereas the XY pair at Prairie Sun recorded primarily off-axis sounds, the RecorderMan technique puts most of the drums on-axis. Sample 4: The street price for a matched pair is about $495 (stock) or $669 (with the OktavaMod Premium Electronics upgrade). We have no affiliation with Milab, Nevaton, Earthworks, Mojave Audio, sE Electronics, Oktava, AKG, Schoeps, or Neumann, and received no compensation for this review. The M-179 do sound pretty good, however the Oktava still sound the best out of the bunch — cleaner, no dullness, and more open. The snare has more attitude than I hear from the STO-2s. Nice shootout, thanks for publishing. The mics in all the above clips were ordered by diaphragm size: In a different room, especially a larger and more live room, the STO-2 omnis could be expected to pull in a bigger, more ambient sound and would likely sound more different from any cardioid mics than this test suggests. I matched gain levels as closely as possible for all mics. These mics comes across as brighter than their frequency graph would suggest. In some comparisons it comes off as a bit flat, but only because the comparison mics are hyped. function reveal2() { When compared to the Royer and most of the other . Use the player tools below to listen blind to the 10 pairs of mics from this session. Much gratitude to Dan at Earthworks, Lonya at Nevaton, Evan and Steffenee at Fingerprint Audio, Mattias at Milab, and Dusty and John at Mojave for rush shipping and the use of the microphones. The change is striking! The mics were all mounted in a spaced-pair arrangement, with the grille screens for each pair of mics equidistant from and pointing at the center of the snare drum. I had a hard time describing the differences, and I’m not sure they would be meaningful within the context of a full mix. The M-179 in Omni brings a serious upgrade to the LF sound as compared to its Cardioid mode. The AT4041 pair is by far the greatest sounding pair of overhead microphones on our list thus far. Sadly, none of our affiliates offer the vintage Neumann or Schoeps or AKG microphones you heard in this test, but if about 20 of you would buy a pair of sERN-17s from the widget at right, then maybe I could get a pair for myself too! Would I be able to hear the differences in transient response? The Nevaton MC49-C is a Russian mic; it is the Cardioid version of the Omni SDC that Slau thought sounded as good as his Schoeps CMC6 (see his Nevaton microphone review). Kick drum mic shootout - 11 mics head to head! To my thinking most of the other ones would be mixable. The first thing that jumped out at me when playing the first sample is the sound of the high-hats in the middle third of the file (MK-012). Also I think the M179s did the best job of capturing the crack of the snare — not what I expected from a large-diaphragm mic. In the second file, I can barely detect a difference between the three sets of mics. The short dimension (19mm) is said to retain the fast transient response of a small-diaphragm capsule. If you were to take a KM 84 and strip away the low frequencies — roll off 4dB/octave below 500Hz — you’d have the KM 85. And of course my MK-012s are part of this mix, although since that shootout I’ve had my mics upgraded my Michael Joly of OktavaMod. Same with the beyerdynamic MC-930, which I’d liked so much in a previous drum overhead mic test and only recently returned — I might just need to buy a pair. I am in agreement, the SE mic sound very nice. A few friends and I plan on conducting a drum overhead mic shootout very soon, will be happy to post high quality clips when done. The STO2 sounds great. It was developed at the same time as the KM 54 (1954–1955), and uses the same Telefunken AC701 tube. The Neumann KM54s, Schoeps M221Bs, the AKG C61s, and so on, all sound great on drums, but there is a high expense to keeping these things sounding as good as they do. What would you choose to replace them? If there are AKG C460B owners who want their mics to be modded, feel free to contact me. Maybe due to my familiarity with my own space, I found it easier to distinguish the mics in the Borrowed Time session. , Posted in Drums, Microphones, Reviews, Shootouts, Studios | 9 Comments », Previously: Aseyer Mic Review: D36B and L36BNext: The Quest for the Ultimate Live Sax Microphone. After you’ve decided what you like (or not), click the button below to identify the mics. But after hearing the first mk-012 sample I’m not sure anymore. I think Mooka wanted to know if something contemporary would suffice — with the added benefit of not being impossible to replace if one inadvertently hits the ground. Kinda changes my impression of mics made in China. The street price on these is $550 for a matched pair. I was surprised by the nevaton mc-49. My gut reaction: Where did all that kick drum come from? So I put together a $12,000 collection of the finest small-diaphragm condensers on the market today: The Mojave Audio MA-101 FET was designed by David Royer. The room sounds bigger. To my thinking most of the other ones would be mixable. And finally, the STO-2 pair is right in the middle, with less-aggressive transients and a wonderfully balanced and easy-to-hear sound. It’s sort of a small-diaphragm version of the company’s MA-201 FET, with a clean/neutral amplifier circuit coupled to an oversized Jensen output transformer. On the other hand, these mics didn’t reach as high or as low as the Oktavas. Before getting into specifics, I’ll say that I found the differences between these mics to be subtle, and they changed based on what I’ll generously call my “monitoring environment” (a collection of consumer-grade speakers and headphones). Our preamp was a Millennia Media HV-3D, which fed directly into the converters at 24-bit/44.1 kHz. So, where does that leave us? They will likely remain as my go-to OH pair unless I’m using them on something else already. And finally, I rounded out the lineup with some very affordable, high bang-for-the-buck condensers from my own locker: The Oktava MK-012, as modded by OktavaMod, is in my opinion the best inexpensive SDC on the market, and I regularly recommend it ahead of most sub-$500 microphones. Unfortunately, Jim Williams of Audio Upgrades is no longer offering mic upgrades. _wpaudio.enc['wpaudio-5fc1774ac18cb'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u0044\u0043\u0039\u0036\u002e\u006d\u0070\u0033';Overhead mic pair 1, _wpaudio.enc['wpaudio-5fc1774ac209c'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u0043\u0034\u0036\u0030\u0042\u002e\u006d\u0070\u0033';Overhead mic pair 2, _wpaudio.enc['wpaudio-5fc1774ac286b'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u0053\u0052\u0034\u0030\u002e\u006d\u0070\u0033';Overhead mic pair 3, _wpaudio.enc['wpaudio-5fc1774ac303b'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u0073\u0045\u0052\u004e\u0031\u0037\u002e\u006d\u0070\u0033';Overhead mic pair 4, _wpaudio.enc['wpaudio-5fc1774ac380c'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u004d\u0043\u0034\u0039\u002e\u006d\u0070\u0033';Overhead mic pair 5, _wpaudio.enc['wpaudio-5fc1774ac3fdb'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u004d\u004b\u0030\u0031\u0032\u002e\u006d\u0070\u0033';Overhead mic pair 6, _wpaudio.enc['wpaudio-5fc1774ac47ab'] = '\u0068\u0074\u0074\u0070\u003a\u002f\u002f\u0072\u0065\u0063\u006f\u0072\u0064\u0069\u006e\u0067\u0068\u0061\u0063\u006b\u0073\u002e\u0063\u006f\u006d\u002f\u0073\u006f\u0075\u006e\u0064\u0073\u002f\u0073\u0061\u006d\u0070\u006c\u0065\u0073\u002f\u0070\u0072\u0061\u0069\u0072\u0069\u0065\u0073\u0075\u006e\u0073\u0064\u0063\u002f\u0064\u0072\u0079\u002f\u004d\u0041\u0031\u0030\u0031\u0046\u0045\u0054\u002e\u006d\u0070\u0033';Overhead mic pair 7,

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